Google turns to overlay advertising to gain ROI on YouTube

I realize nothing in life is really ever free so it was just a matter of time before Google wanted ROI on it's $1.35 billion investment in YouTube. At least these new ad overlays are much less exasperating than "preroll" ads. Preroll ads have gotten totally out of control at movie theaters. This past weekend when I went to "The Last Legion" I had to sit through almost a half hour of ads before finally seeing the feature film (In fact I use the term "feature film" loosely - the film itself was so short it seemed like a made-for-TV movie). At least on a DVD you can fast forward through them. The worst part is I suspect that film editors are apparently slashing content to the point of making the plot seem choppy and disjointed just to accommodate this crass consumerism.

Ever since Google bought YouTube last November, it has avoided cluttering the site and the video clips themselves with ads, for fear of alienating its audience.

A demonstration of an ad for a movie on the bottom of a YouTube video. Real ads would not reflect the content of a video.

Multimedia

Sample Ad Spot Video (youtube.com)

The strategy helped cement YouTube’s position as the largest video Web site but didn’t do much to justify YouTube’s $1.65 billion price tag.

Now Google believes it finally has found the formula to cash in on YouTube’s potential as a magnet for online video advertising and keep its audience loyal at the same time.

The company said late Tuesday that after months of testing various video advertising models, it was ready to introduce a new type of video ad, which it said was unobtrusive and kept users in control of what they saw.

The ads, which appear 15 seconds after a user begins watching a video clip, take the form of an overlay on the bottom fifth of the screen, not unlike the tickers that display headlines during television news programs.

A user can ignore the overlay, which will disappear after about 10 seconds, or close it. But if the user clicks on it, the video they were watching will stop and a video ad will begin playing. Once the ad is over, or if a user clicks on a box to close it, the original video will resume playing from the point where it was stopped.

HP Introduces mobile printing from cell phones

This development looks like it has potential - especially with the merging of PDA and cellphone. HP says its the result of thinking of ways to capitalize on the introduction of the iPhone but it basically provides usable functionality for any cell phone with Windows mobile installed as well.

"Hoping to alleviate a frustration of mobile computing, Hewlett-Packard has quietly introduced a free service designed to make it possible to print documents on any printer almost anywhere in the world. Cloudprint, which was developed over a period of several months by a small group of H.P. Labs researchers, makes it possible to share, store and print documents using a mobile phone.

The underlying idea is to unhook physical documents from a user’s computer and printer and make it simple for travelers to take their documents with them and use them with no more than a cellphone and access to a local printer.

The service requires users to first “print” their documents to H.P. servers connected to the Internet. The system then assigns them a document code, and transmits that code to a cellphone, making it possible to retrieve and print the documents from any location.

Later, using the SMS message the service has sent to the user’s cellphone, it is possible to retrieve the documents by entering the user’s phone number and a document code on the Cloudprint Web site. The documents can then be retrieved as a PDF, ready to be printed at a nearby printer.

The service will include a directory service that will show the location of publicly available printers on Google Maps. The system currently works with any Windows-connected printer. A Macintosh version is also planned.

Dresden State Museum of Art Comes to Second Life

My friend Kent Loobey sent me an article about the new Dresden State Museum of Art in Second Life and, of course, I had to go see it!

"The Dresden State Museum is one of Europe's oldest. Saxon kings began collecting art in the 1560s, but it wasn't until the reign of August the Strong, Elector of Saxony and King of Poland, in the early 1700s that art collection began in earnest. Augustus believed in putting his wealth on display. He and his heirs effectively created the first public museums in an effort to impress their subjects and fellow royals. In 1855, the Zwinger was expanded to create a gallery for the state art collection." - Wired

I launched Second Life and searched on Dresden under Art and Culture and clicked Teleport. In a few seconds my avatar was standing in the beautiful plaza surrounding the gallery. I walked over to the beautiful fountain and sat on the edge to look around and take in the beauty of my surroundings. Of course I couldn't help but have my picture taken there. Although Second Life has an in-world Snapshot tool, I prefer to use a simple Print Screen because the resulting frame is sharper and more detailed.

When I visit museums in real life I like to take pictures of the facade and any interesting architectural details that I see. Second Life's Camera Control tool lets me do the same thing - allowing me to pan and zoom in and zoom out to get a better look at anything that catches my eye.

Camera controls is not normally visible by default but if you click on View -> Camera Controls then you get a small interface that looks like two virtual joystick controllers with a ruler running vertically between them with a + at the top and a - at the bottom. Clicking on the + zooms in. If you reach the maximum zoom, try moving your avatar just a little closer to the object you are examinging to zoom in even more. Then use the joystick on the right to adjust the angle of your camera up, down, left, or right, and the joystick on the left to move the camera itself up, down, left, or right to eliminate any angular distortion.

I entered the main gallery and stopped at the desk and picked up a guest book SDK so I could record my impressions. The reception area is magnificent with its ornate domed ceilings, bas reliefs and sparkling chandeliers. It truly gives you the authentic feeling that you have entered a world-class museum!

Then I walked down the entryway and entered a room that featured some spectacular tapestries. Again I used my Camera Controls and my MouseLook view to pan around the room and zoom in on each piece of art to examine it more closely. The room had chairs arranged in it so you could sit and contemplate the art just like you would in the "real" gallery.


The tapestry room also featured a piano with a little script attached that you could click on to "play" it. My sound wasn't working right today but I think normally you would hear it. I crashed the Second Life application because I think I had too many applications open and probably should have rebooted. I'll have to try it again when I get a few spare moments. I had piano lessons when I was a child but haven't played in years. Based on my avatar's motions, the piano must have been magical as she appeared to play as well as a concert pianist!

I moved on to the next room where a number of interesting historical cityscapes captured my attention. I normally prefer images of people, both portraits and paintings of people engaged in interesting activities, but these scenes of 18th century city life were quite colorful and intriguing. I particularly liked this painting of the Marketplace at Pirna by Bernardo Bellotto (nephew of Canaletto) painted from 1753-1754 CE. (This image was taken using the Camera Controls and the PrintScreen key on my computer. Yes, the quality of the experience is that good!)

"Bernardo Bellotto, an Italian painter, was from Venice and the nephew and pupil of Canaletto. He was known for his townscapes (vedute). He is listed in the fraglia (Venetian painters' guild) from 1738 to 1743, by which latter date he had established his reputation. In 1747 he left Venice for Dresden and there in 1748 was appointed court painter to Frederick Augustus 11 of Saxony; in c1758 he was at Vienna working for Empress Maria Theresa; in 1761 he was working in Munich, after which he returned for a while to Dresden, before moving in 1767 to Warsaw to work for King Stanislas Poniatowski, staying there for the remainder of his life." - From "The Bulfinch Guide to Art History".

I then wandered into the next room and was rewarded by the vision of a beautiful portrait of Princess Lubomirska, one time mistress of Augustus II (The Strong), Elector of Saxony and King of Poland, by Louis De Silvestre painted in 1724 CE.

"Louis de Silvestre was the son of Israël Silvestre. He was first apprenticed to his father, going on to study under Charles Le Brun and then Bon Boullogne. In 1694 he competed unsuccessfully for the Prix de Rome but left nevertheless for Italy. In Rome he met Carlo Maratti; he also visited Venice and Piedmont. On his return to Paris he was received (reçu) in 1702 into the Académie Royale, presenting the Creation of Man by Prometheus (Montpellier, Mus. Fabre). He embarked on a successful career, earning academic honours (he was appointed an assistant professor in 1704 and a full professor in 1706) and commissions from both the Church and the court. In 1703 he was commissioned by the guild of Paris goldsmiths to execute the May of Notre-Dame (Healing of the Sick, Arras, Mus. B.-A.). In 1709 he painted a Last Supper for the chapel at Versailles (in situ). This was followed by nine scenes from the Life of St Benedict (1709; examples in Paris, Louvre, see fig.; Béziers, Mus. B.-A.; Perpignan, Mus. Rigaud; Brussels, Mus. A. Anc.) for St Martin-des-Champs, and a St Matthew (1710; destr. 1748) for the cupola of St Roch, both in Paris. Among the secular works of his early career are the paintings originally intended for the Pavillon de la Ménagerie at Versailles, including Arion Playing the Lyre (1701; Compiègne, Château), and Hector Taking Leave of Andromache with its pendant Ulysses Taking Astyanax away from Andromache (both untraced), painted in 1708 for Armand-Gaston I de Rohan-Soubise (1674–1749); he also painted contemporary historical subjects (e.g. Battle of Kassel, Siege of Saint Omer; both untraced) for the funeral of Philippe I, Duc d’Orléans (d 1701)." - ArtNet.

I ran out of time for today's visit so I completed my comments statement in the space provided at the bottom of the Guestbook SDK I had received by touching the guest book in the reception area and returned to the guest book and dragged the SDK from my inventory over on top of the Guestbook on the table as instructed. Hopefully my comments were wisked away to the Dresden Gallery developers. I think this 3D experience gives the visitor much more of a feeling of "visiting" the museum than simply browsing through a well-illustrated book about the gallery. I hope other museums will follow Dresden's lead and provide many more such virtual galleries accessible to everyone (with access to a computer somewhere) regardless of their physical or financial ability to travel. I was certainly impressed!

Gartner sees security risks with businesses in virtual worlds like Second Life

I see Gartner is cautioning businesses about potential risks with launching activities in virtual worlds like Second Life. I couldn't help but think about the reports I have heard from colleagues and students that friends and family from other countries are asking what it is like to live under a repressive regime. The last statement in this excerpt really makes it look that way.

"Companies need to think about security and risk management before they get too excited about virtual worlds, according to analyst group Gartner.

The risks businesses face as a result of getting involved in virtual worlds can be significant, according to Gartner vice president Steve Prentice. These risks shouldn't be ignored, he said--but neither should the potential opportunities and benefits that arise from using these new environments for corporate collaboration and communications.

Gartner said the issues facing corporations fall into five categories:

IT risks
According to the analyst group, the IT risks of virtual worlds concern the applications needed to run virtual worlds being downloaded to desktop systems. And while there are no indications that these client applications represent a higher risk than other comparable applications, Gartner said that, at this time, the high frequency of updates makes the control of a large application difficult.

Identity and access management
It's difficult--if not impossible--to ensure that any avatar is an online version of the real-life person it claims to be, according to Garter.

This lack of verifiable identity control or access management is a "major deficiency" in public virtual worlds and is having a significant impact on the potential use of virtual worlds for internal-collaboration purposes, the analyst house said.

As a result, companies should seriously evaluate the availability of private virtual-world environments, hosted internally and existing entirely inside the enterprise firewall.

Confidentiality
Discussions involving confidential and commercially sensitive information shouldn't take place inside Second Life or any other virtual world--or in an open, Internet-supported social-networking site, Gartner warned.

But by moving to a private virtual world, the issues of privacy, confidentiality and identity can be controlled. The analyst also says non-U.S. organizations may wish to avoid virtual worlds that are subject to U.S. jurisdiction because this may result in stored information being subject to legal scrutiny."

Photographing Sunrises and Sunsets Tip

I subscribe to an email newsletter published by the Digital Photography School. This week it included an article about photographing sunsets and sunrises. Most of the "12 tips" I was already familiar with (bracketing exposures, using a tripod, rule of thirds, focusing on silhouetted objects, etc) but one little nugget of information struck me as equally important and I hadn't thought about it before.

"Take camera out of Auto White balance mode - when you set your camera to ‘Auto’ in it’s white balance mode you run the risk of losing some of the warm golden tones of a sunrise or sunset. Instead try shooting in ‘cloudy’ or ’shade’ which are usually used in cooler lights and tell your camera to warm things up a little. Alternatively - if you’re shooting a sunrise and DO want a cooler moody shot you can experiment with other white balance settings."

Thanks, DPS!

Photo by Peter Bowers.

Music Publisher Association joins copyright suit against Google

Why am I not surprised???

English soccer's Premier League and music publisher Bourne & Co said Monday that eight more parties have joined their lawsuit charging Google and its YouTube online service with deliberately encouraging copyright infringement.

The new parties include the National Music Publishers' Association, which is the largest U.S. music publishing trade association, the Rugby Football League, the Finnish Football League Association and author Daniel Quinn.

Video programming owners have teamed up against YouTube, charging the top online video service with encouraging copyright infringement to generate public attention and boost traffic to its site.

Google has said it is abiding by existing law that protect Internet services from being liable for what is on their networks so long as they respond promptly to complaints.

Augmented Reality Project Sounds like a perfect learning activity for Second Life

I’ve been cleaning off my desk in preparation for the move later this month and I came across an article on the Augmented Reality Project that MIT and Harvard are developing. It sounds like a perfect fit for educational activities in Second Life.

“With funding from a U.S. Department of Education Star Schools Program grant, researchers at the Harvard Graduate School of Education, the University of Wisconsin at Madison, and the Teacher Education Program at MIT have developed an "augmented reality" game designed to teach math and science literacy skills to middle school students.

The game is played on a Dell Axim handheld computer and uses Global Positioning System (GPS) technology to correlate the students' real world location to their virtual location in the game's digital world. As the students move around a physical location, such as their school playground or sports fields, a map on their handheld displays digital objects and virtual people who exist in an augmented reality world superimposed on real space. This capability parallels the new means of information gathering, communication, and expression made possible by emerging interactive media (such as Web-enabled, GPS equipped cell phones with text messaging, video, and camera features).”

http://isites.harvard.edu/icb/icb.do?keyword=harp

Although its being developed for high school students, it holds real potential for teaching such college-level subjects as environmental studies, architecture, and anthropology..

Recovering Photos from a Memory Card that claims they are gone.

I found this really great tip on Thomas Hawk's Digital Connection blog:

There's lots of ways you can lose photos on a memory card. The card can malfunction. You might accidentally erase some of your photos. Your kids might accidentally erase some of your photos. You might even accidentally *reformat* your entire card. But don't go too crazy. In general your images are rarely ever truly gone and it's just going to take a bit of work to get them back.

1. Don't panic. Like I said. You will probably be able to get the shots back. Don't let it ruin whatever you are doing or shooting.

2. Once you know that you need to recover photos from a card stop using that card immediately. Don't try to reformat it. Don't reuse it. Put it away and wait until you get home where you can try recovery. If you do keep shooting with the card you might overwrite some of the data and be unable to recover some of your photos.

3. When you get home run DataRescue's PhotoRescue. You can download and run this software for free on your memory card.

4. If PhotoRescue can recover your images they will show you the thumbnails of the images. At this point you will need to buy the software if you want to use it to actually recover your images. The software cost's $29 but usually this is a small price to pay to have all of your images back.

Fujifilm does it again!!!

Just when I thought I should be satisfied with my recent purchase of a Panasonic FZ8, I read an article today about the new Fujifilm Finepix S8000FD. I think I'm in love!!

"Fujiflm has joined the 'big zoom' brigade with a camera designed to go head-to-head with the Olympus SP-550UZ and the new Pansaonic FZ18. Sporting an 18x (27-486mm equiv.) zoom, 8MP sensor and - for the first time in a Fujifilm 'bridge' camera - image stabilization (CCD-shift), the new FinePix S8000fd is Fujifilm's most ambitious S series to date. Other features of note include face detection, 15fps shooting (at reduced resolution) and sensitivity settings of up to ISO 6400 (again, at reduced resolution). Like most recent FinePix digital cameras the new S8000fd accepts both xD and SD/SDHC media."

Not only are they offering even more ISO but finally, Fuji has added the much needed image stabilization. I'm also glad that they now accept either the xD or the SD since SD memory cards are usually about 30% cheaper than the xD. I've always preferred the longer lasting lithium batteries instead of the AA batteries but I know many photographers who like to know they can just pop into the local grocery to pick up more batteries if their battery runs low. I usually just carry three charged lithium batteries with me at a time. I can adjust, though!

I see it isn't available until September so I've marked my calendar to check prices and get one ordered then so I will have it for my Italy trip in October. Hopefully, I'll also see the noise comparison tests by then too.

Why Twitter?

A couple of times this week I have encountered references to a new "social community" called Twitter. I see it is even on the board for discussion at the Educause ELI conference in San Antonio in January. So I decided I better go up and see what all the fuss is about.

Perhaps I'm not seeing the big picture here, but it looks like Twitter is designed for those people who must give everyone around them a blow by blow account of their life whether we're interested or not. It reminds me of people with cell phones stuck to their ears in restaurants and grocery stores describing the latest produce to anyone in their calling circle that will listen.

Twitter says its like a mini-blog (posts are limited to 140 characters) but looking at the statements being shared by users of Twitter, I'd have to say I've got better things to do with my time than try to plow through all that drivel looking for something that I may find interesting or useful. Maybe people who have scanners to monitor police and emergency services communications would love it. I see the LA Fire Department posts their response calls to a Twitter account.

I went up and read the official Twitter blog to try to identify the element that would make their service useful or compelling and I'm still at a loss for grasping the potential of their idea. Furthermore, I notice that they attracted venture capital but for the life of me I don't know how they could make a "venture capital level" of ROI with no discernible business model.

I must not be alone in my assessment of Twitter's potential. The Wall Street Journal wrote, "These social-networking services elicit mixed feelings in the technology-savvy people who have been their early adopters. Fans say they are a good way to keep in touch with busy friends. But some users are starting to feel 'too' connected, as they grapple with check-in messages at odd hours, higher cellphone bills and the need to tell acquaintances to stop announcing what they're having for dinner."^[3]

Dealing with Hyphenated Names in Filemaker Pro

I learned something new about text formatting in Filemaker Pro today. One of my database users needed to enter a hyphenated name in our personnel database and I had the field formatted for Title Case to be sure all last names were capitalized. However, title case does not take into account a hyphenated last name and forces the second name to be lowercase.

A quick fix is to change the field back to plain text formatting but a better solution is to highlight the first letter of the second name in BROWSE mode, right click and select "UPPERCASE". Browse mode formatting affects only this entry. The format is stored with the data rather than with the layout as it is when you format a field in Layout Mode. I've used Filemaker for years and didn't know this. Here's the formal support note (although it is written for Filemaker Pro 9 it works with version 8 as well:

Formatting text

You can specify how text (both in and outside of fields) appears on your layout. You control:

the character attributes of the text, including font, font size, style, and color

the paragraph alignment, margins, and line spacing

tab settings

vertical writing (if your operating system supports Japanese text entry)

You can also set conditional formatting options on layout objects, which allows the format of data and fields to change automatically based on conditions you set. (For example, you can automatically display balances that are over 30 days past due in bold, red text.) For information, see Defining conditional formatting for layout objects.

You can format field data in both Layout mode and Browse mode. For example, you can select an Address field in Layout mode and format it to display in a particular font, and you can select and format text within the field in Browse mode (for example, to italicize or underline a word for emphasis). It's possible to create conflicting formats by creating one format for a field object in Layout mode, and a contrasting format for field data in Browse mode. Here is how FileMaker Pro resolves text formatting conflicts:

When you format a field in Layout mode, the formatting affects only the appearance of that particular occurrence of the field object.

When you format field data in Browse mode, this formatting is stored with the data, and you see it in any layout that displays that field. Field data that is formatted in Browse mode takes precedence over data formatting in Layout mode. For example, if you format field text as Bold in Browse mode, then switch to Layout mode and format the same field as Plain Text, the text will continue to display as bold.

Tip To maintain flexibility in formatting the same data on different layouts, use Layout mode to apply the primary font and paragraph settings to field objects on layouts. Use Browse mode to apply bold or italic emphasis to particular words in fields. Do not format the entire contents of a field in Browse mode; instead, reformat its field object in Layout mode.

Notes

In Layout mode, if you specify text formatting with no text or fields selected, you set default text formats for fields and text that you add later. Similarly, if you've just created a field or typed text and it's still selected, and you specify text formatting, you set default text formats. If you change these default text formats later, FileMaker Pro does not retroactively change previously applied formats.

In Layout mode, you can format text that's part of a grouped object without ungrouping it first.

You can use the Text Formatting toolbar (choose View menu > Toolbars > Text Formatting), the text ruler (choose View menu > Text Ruler), or the shortcut menu for quick access to many text attributes. For more information, see Using toolbars, Specifying paragraph attributes and tab settings, and Using shortcut menus.

To eliminate formatting applied in Browse mode, reformat the text in Browse mode or export and re-import the data.

When you paste text into fields:

unformatted text automatically acquires the default formatting of the existing field text.

text that has the same format as existing field text keeps its formatting.

text that has a different format to existing text keeps its formatting. To change pasted text format to the existing text format, choose Edit > Undo Formatting immediately after pasting the text.

In Browse mode, you can format particular characters in number, date, time, and timestamp fields. For example, you could format only the year of a date to be bold, such as 5/5/1965. However, you can only see and print the special formatting when the field object is formatted with the Leave data formatted as entered option in Layout mode. If you specify any other field formatting options, the special formatting is only visible in Browse mode when the field is active. (Text fields do not have this limitation.) For more information on formatting fields, see Formatting and setting up field objects in Layout mode.

Content Makers Are Accused of Exaggerating Copyright

This is a definite switch in viewpoint. It's particularly ironic since I've had such a struggle getting Corbis (Microsoft) to recognize my right to sell images I have taken of public domain artwork!

"An association of computer and communication companies, including Google, Microsoft and Yahoo, on Wednesday accused several professional sports leagues, book publishers and other media companies of misleading and threatening consumers with overstated copyright warnings.

In a complaint to the Federal Trade Commission, the group, the Computer and Communications Industry Association, said that the National Football League, Major League Baseball, NBC and Universal Studios, DreamWorks, Harcourt and Penguin Group display copyright warnings that are a “systematic misrepresentation of consumers’ rights to use legally acquired content.”

The complaint alleges that the warnings may intimidate consumers from making legal use of copyrighted material, like photocopying a page from a book to use in class.

“It is an attempt to convince Americans that they don’t have rights that they do in fact have,” said Ed Black, the association’s president and chief executive. “This is part of the larger context of what should be and what are proper rules for copyright in an Internet age.”

The complaint asks the Federal Trade Commission to take remedial actions against content owners, like ordering them to provide a more accurate copyright warning, and to assist with efforts to educate the public on their rights."

Canon Powershot S5 vs. Panasonic DMC-FZ8

I've been in a bit of a quandary ever since I went ahead and ordered the Panasonic DMC-FZ8 in time for my first New York trip even though I heard that Canon was coming out with a new Powershot High-Zoom camera soon after I would return. Today, I finally got around to reading Digital Photography's review of the new Canon Powershot S5 paying particular attention to the comparisons of ISO-Sensitivity and noise levels since my most demanding work is produced in museums without the benefit of flash or tripod. DPReview didn't provide a side-by-side comparison of Canon vs. Panasonic so I had to improvise:


My eyes are getting older these days but it looks to me like the Panasonic suffers from less noise than the S5 although there is a slight loss of detail. Actually, to be honest, the Sony DSC-H9 & Sony DSC-H5 seemed to have roughly the equivalent level of noise of the Panasonic with a little more detail than the Panasonic. All three appear to me to outperform the Canon S5 in this category.

As a former financial officer I also can't help but think about bang for the buck. The Panasonic cost me $269 compared to the Sony's $369 and the Canon's $469. The Panasonic is the only one of the three that can output in Raw format, has about twice as many scene modes, and weighs a mere 310 g compared to the Sony's 407 g and the Canon's 450 g. For someone like me with a problem with familial tremor, 100 -150 g can make a big difference especially if you couple that with one of the industry's leading image stabilization systems.

So, I guess I made the right choice for me based on my needs. I just wish Panasonic would be able to approach the High ISO quality output of the Fuji F-30. I have governed the Panasonic down to ISO-800 in my settings because the noise level is just totally unacceptable at the Panasonic's ISO settings higher than that. So, I keep my Fuji F30 with me too for those really dark exhibits.

Cable Without a Cable Box, and TV Shows Without a TV - New York Times

This article caught my attention because it discusses the potential for Cable Card integration in internet convergent devices. My DishNetwork DVR comes equipped with a Cable Card. I would love to have it become a way for me to use Amazon UnBox video on demand. Up until now, however, the Dish DVR has been extremely limited to proprietary interconnection. I cannot even use the USB port on it to download a movie I have recorded to my iPod. Dish definitely needs to get with the program!

Cable Without a Cable Box, and TV Shows Without a TV - New York Times: "Cable companies in the United States now have to separate the security functions that prevent you from watching channels you haven’t paid for from the TV tuner box most of us rent.

The practical result of the rule is that cable companies now have to supply set-top boxes that come with a removable CableCard. The cards, which look like the PC Cards used in notebook computers, contain the information necessary to unscramble digital cable channels like HBO.

But they could allow other equipment to become much more versatile. The cards are designed to be inserted into a host of other devices, including TVs, digital video recorders (DVRs) and computers. Companies like Toshiba, Panasonic, Microsoft and Hewlett-Packard have sought this breakthrough for years because it opens an array of features for CableCard-equipped devices. Cable companies have resisted the idea, which should surprise no one.

TiVo has just come out with a more affordable HD DVR with two CableCard slots and up to 20 hours of HD recording, for $300.

The TiVo-Amazon service offers cineastes thousands of movies to rent, compared with the scant mainstream-only offerings of cable’s pay-per-view services. TiVo boasts other features that keep it ahead of cable, including the ability to schedule a recording at home over the Internet from, say, your computer at work, or to record videos automatically from Web-based channels. Services like this are encouraging others to begin selling CableCard-ready set-top boxes.

Digeo, which already supplies set-top boxes to cable companies that in turn lease them to subscribers, says it plans to sell a new model in stores this fall. Digeo’s machine, the Moxi Multi-Room HD DMR, not only will include a TiVo-like DVR but also will let owners add more hard disk storage to expand the number of shows owners can record and store. Moxi owners will also be able to use the box to store music and pictures and watch recordings on TVs in other rooms. Prices for the CableCard-ready box have not yet been announced."

Lulu offers image marketing tools without Corbis hassles

I was excited to discover this week that Lulu.com now offers user storefronts for selling images - both for download and art prints (with Lulu providing the matting, framing, and shipping). Their interface is pretty intuitive and offers the ability to set individualized copyright selection (Since I offer noncommercial use for free up on Flickr, I select Creative Commons Attribution rights on Lulu to provide commercial use for a fee). It also lets me specify the attribution text, automatically informs me what print size the resolution I have uploaded will support, lets me enter a detailed description, and provides extra art print options for purchasers if I have selected that distribution option.

They also have calendar templates available and I have several ideas for calendar themes I want to design. I also took advantage of their Live Help Chat interface to help me with my first product offering. The only thing that confused me a little is that when I clicked on the Set License button on the Licensing screen after I had already input my desired price, the interface took me to another layout for me to choose from additional rights options and deleted my pricing. I have now learned to click on the Set License button first, then select my license (in my case I must go to still another screen to choose Creative Commons Attribution), then enter my pricing information and click Save and Publish.

One other thing to be sure to do is to set your remission options in your account settings. If you don't set any remission options, Lulu will donate your revenue to a charity. I think they should automatically take you to the remission set up screen the first time you publish a product but they do not. It's up to you to remember to do it. However, it's still a great service and I won't even bother with SnapVillage anymore.

Today, I noticed that Lulu has signed an agreement with Getty Images to allow LuLu creators to use licensed images from the Getty Stockbyte, Digital Vision and Photodisc collections and Lulu will automatically add the license fee to the cost of the project much like they do with the matting and framing costs.

It's a way of integrating original content with licensed content that's long been needed:

"Creators of all sorts, from companies to authors, to hobbyists, to non-profits have been looking for higher quality images to incorporate into their creations whether these are technical manuals, novels, photo books or calendars. Our partnership with Getty Images will empower creators to not only have access to this content, but to use it to make their creations more marketable." - Bob Young, Lulu.com CEO

I also noticed that you can get product specific "Buy Now from Lulu.com" buttons similar to the Amazon associate product-linked icons like this:

Terrific job, Lulu.com!!!!

Casio creates camera for YouTube video enthusiasts and Ebay sellers

I think these product offerings are particularly interesting because they address a particular market usage of the output rather than just output in standard formats. However, I am a little skeptical of the higher-end output that a semi-pro would demaind. I couldn't find any reviews yet for this particular model camera that included actual image evaluation but other Casio cameras released this year have customer comments that complain of noise and distortion using the zoom. Not a good trade-off. But, maybe Casio made improvements with these models. I'll have to keep an eye out for a comprehensive review up at http://dpreview.com - sort of my gold standard for camera reviews.

"Posting a note on an Internet forum is simple. Uploading a video to YouTube isn’t. Matching a video you have shot to YouTube’s requirements for file size, running time, resolution and file format often takes some fiddling with video editing software. And loading most camcorder videos into that computer takes as long as playing them.

Two still cameras from Casio may help change that. The Exilim EX-S880 and EX-Z77 shoot YouTube-compatible videos that can be uploaded quickly, without even pausing to load them onto your computer’s hard drive. This is accomplished by using the included YouTube Uploader software, which also lets you add tags and other information to each video.

Both cameras also have an eBay mode that shoots 2-megapixel stills, just the right size for eBay sellers. Maximum resolution is 8.1 megapixels for the EX-S880 ($299.95) and 7.2 megapixels for the EX-Z77 ($229.95).

Both models have 3X zoom lenses, face detection and electronic antishake systems that work even in video mode."

Filemaker 9 introduces more useful features and better SQL integration

I just finished reading the specs for the new Filemaker 9 and the great news is that it is compatible with 7, 8, and 8.5 so there will not need to be a further migration to use the version 9 client. One of the major new features is the ability to exchange data with external SQL and Oracle databases. It also lets you produce a PhP-powered database-driven website directly from within Filemaker. Other new features include:

*New Conditional Formatting that can be applied to fields, FileMaker Web Viewer objects, text objects, or text based buttons. Choose from a list of pre-defined conditions or create your own with a calculation for enhanced reporting. For example, you can now set future due dates to green and past due dates to red and bold. ( I won’t have to create special calculated fields to do this anymore)

*Just click on Send Link and FileMaker Pro will create an email with a simple hyperlink that when clicked on, will open your database. You can edit the email in your email client to add any additional instructions or information about your database for your users making it easier than ever for your users to connect to your database.

*With the new Append to PDF feature, you can combine multiple reports into one PDF and email the PDF to the recipients you specify, connecting them to the latest information. (I think the Send as Excel and Send as PDF feaure was one of the best of the last version)(Again a great timesaver for solutions with dozens of scripts)

*Add a status bar or display HTML content stored in your database with the new FileMaker Web Viewer options. (Does this mean no more coffeecup?)

*Field Level Spell Checking so you can turn on or off visual spell-checking for individual fields.

*Multiple Undos and Redos so you can undo and redo more than once when editing text within a field.

More on Property Releases

This morning I found a reference to the PROPER use of property releases:

"In some cases, you'll need to obtain a release for using pictures of places. You may find this odd -- after all if a building can be viewed publicly why is permission required to use an image of it? Over the last few decades some buildings have earned protection under both trademark or copyright laws or both. Trademark law will protect a building's appearance under very limited circumstances. If a distinctive-looking building is used to signify a business's services, then you cannot use an image of that building in a manner that will confuse consumers. For example, the Sears Tower in Chicago functions as a trademark, and if you intend to use it in the foreground of an advertisement, permission should be obtained from the Sears Company. Use of the building's image for informational purposes, such as in magazine article, does not require permission.

Is permission needed to use the image of a trademarked building on a postcard or poster? That issue arose when a photographer sold images of the Rock and Roll Hall of Fame. A federal court of appeals permitted the use of the trademarked building on posters and did not consider it to be trademark infringement. (Rock and Roll Hall of Fame v. Gentile, 134 F.3d 749 (6th Cir. 1998).)

Copyright protection also extends to architectural works, specifically for architectural works created after March 1, 1989. However copyright protection also has limitations. A release is not needed to photograph a building or property visible from a public place. However, permission is needed to photograph and reproduce images of a building protected by copyright and not visible from a public place. Entering private property to photograph a building or related private property may also trigger a claim of trespass. To avoid such claims, photographers, publishers and filmmakers use a property release, sometimes known as a location release." - Stanford University Copyright and Fair Use Overview

Take that Corbis!

Then I found an ultra-conservative usual legal eagle approach described in an article on the ASMP website:

"

The whole subject of property releases is filled with urban legend, assumption and myth, along with a bit of actual law. As you know, using a person’s likeness for trade or advertising purposes requires a model release. That is because a person has a reputation to protect, a right of privacy and (in some states) a right of publicity. Property has none of these rights. So why should you go to the trouble to get a release?

It’s a good question, but one that requires a complicated answer. ASMP has never seen a statute or a legal case that requires a release for property. The recommendation that you get one is based upon two legal theories.

Below, we use a house as the property in question. Remember that the theories can apply to property other than real estate, such as pets, cars, works of art and other personal property.

Association. The first theory is that a person’s identity might be connected to the property. Take a picture of a house and use it in an article about drug users, and the owner might get angry enough to sue. Why? because everyone on the block knows whose house it is, and, since the house is not actually connected with drugs, the image was used out of context and paints the owner in a bad light. If the owner sees the use of the image as defamation of character, a lawsuit might be the response.

Conversion. The second theory is that there is an offense called conversion, which means that you used another’s property to your own personal gain without the owner’s permission. It is a bit like copyright infringement, which covers intangible property, except it covers tangible property. If I rent out your house while you are away without your permission, I have converted it to my personal gain. That is conversion. The question is this: Is it conversion if I rent out a picture of your house for an advertisement without your permission? The picture of your house is not your tangible property. Is the photo of the house the equivalent of the house (at least for these purposes)?

We know of no case that has ever settled those kinds of questions. ASMP advises that property releases be acquired whenever possible because we don’t want to see you be the test case. - ASMP Property and Model Release Tutorial

If the courts should ever uphold a claim of conversion about public domain artwork it will totally destroy the rights granted to the public by legislation defining public domain work. Corbis as the sponsor of SnapVillage may decide to require property releases where none is actually required by law but this action will defeat the stated purpose of their website as a site for amateurs and semi-professional photographers to sell their work. People should not be held liable for laws that don't exist yet (and hopefully never will!)

Blog-for-pay websites create storm of controversy

"Does it exist to game Google search results and generate revenue through Google's AdWords advertising service by displaying contextual ads next to the copy? Or is it a new kind of media site, chock-full of original articles written mostly by average folk about everything from presidential pardons and karaoke to smoker's guilt and ventriloquism?

Add to the mix at Associated Content two prominent board members--Tim Armstrong, head of advertising for Google in North America, and venture capitalist Eric Hippeau, a managing partner at SoftBank Capital, who also happens to serve on Yahoo's board of directors--and you have a little company that's drawing outsized and quite possibly unwanted attention.

But while there are plenty of questions about this start-up, no one seems to be able to say it's actually doing anything wrong.

"This kind of service is not entirely clear-cut," said Danny Sullivan, editor of the Search Engine Land blog. "It's not a case that they are bad or should be banned, but they are embroiled in this kind of a debate."

Denver-based Associated Content was formed in 2004 and received $5.4 million in funding from SoftBank. It bills itself as a "user-driven information portal" and content provider, licensing content to other online publishers. The articles are "optimized for discovery and revenue generation," according to a news release on the company Web site. In other words, they're designed to be easy to find on Google through various search optimization techniques used by many publishers, not just people accused of gaming search results.

The company asks bloggers to write on the subjects of their choosing and accepts text, video and audio. Contributors can be paid based on the quality of the article and keyword optimization.

In most ways, Associated Content's methods seem fitting for any typical Web site--do your best to get play on Google search results and make money off its advertising. In fact, Associated Content is hardly the only company churning out content to match with Google ads. The success of Google's AdSense program, which matches ads with content on Web sites, and the growth of blogging applications have led to the emergence of pay-for-blogging companies that help match willing writers with sites that want content.

What separates legitimate content marketplaces from so-called "Made for AdSense" companies that generate content purely for marketing purposes is the intent of the company and the quality of the articles, said Rand Fishkin, co-founder and chief executive of search marketing firm SEOmoz.

That gets closer to the heart of the controversy. The dividing line between people who don't have a problem with Associated Content and those who do seems to come down to one of the most hard-to-define aspects of a Web site: quality. And quality, as most people know, is terribly difficult to define. As the 20th-century U.S. Supreme Court Justice Potter Stewart once said in declining to venture too far into a definition of pornography: "I know it when I see it."

Well, since quality seems to be the bone of contention here, I decided to go up to Associated Content's website and have a look. I'm afraid I wasn't too impressed with either the topics or the writing quality.

Let's examine some of their "showcase" headlines:

Do Modern Prophets Exist?

Funniest Fortune Cookies Ever

The Awesomeness of Baseball
(awesomeness???)

Should Parents Let Kids Sip Beer?

John's Relevance in American Culture
(an article about the significance of the name "John" in American Culture)

I'm afraid I don't find any of these topics worthy of my reading time or a valuable use of the so-called author's time either. I'm not even sure what Google Ad Sense ads would be triggered by these inane topics.

There were at least two other headlines that had some potential:

DIY iPod Skins in Photoshop

As a technology person, I was interested enough to open this article. I was a little disappointed that the author was really talking about designing stickers for your iPod, not a software "skin" that changes the look of the iPod interface. But, he did mention the use of an overlay using the blend mode "Color Burn" in Photoshop. I have spent thousands of hours in Photoshop but had never used the Color Burn blend mode. I am going to try it out because I want to create a line of tote bags that feature my photography for sale up at Cafe Press and they provide downloadable templates to fit the base stock that will be used for the final product. Like the template example in the iPod skins article, I need to see the lines of the template through the image as I am sizing it. I'll give Associated Content at least 2 stars for this piece.

Does Internet Chatting Affect R Grammar?

This article would have been interesting if it had included an interview of an English professor expounding on the observed effects of internet chat "shorthand" in other communication formats. As it was, it was only a couple of paragraphs of internet chat gooblety-gook that you had to struggle to read followed by a couple of dictionary paragraphs about the definition of jargon. Then a couple of paragraphs giving the author's opinion about what it all means.

I was a bit surprised by one of his assumptions:

"A large motivation for the evolution and creation of what is referred to as "Netspeak" was to defeat IRC parsers that go through large amounts of logged IRC text searching for keywords. Everyone from the FBI to other hackers were constantly trying to monitor them, steal their secrets, or whatever hidden agenda they had. Introducing symbols, random capitalizations, and numbers into words was viewed as a way to defeat these individuals."

Quite honestly, I thought keyboard shortcuts were derived to ease the burden of people who were less than stellar typers!

I checked the author's education and he claims only "educated guesses". At least he's honest. Of course he's falling into the trap I used to discuss with my Creative Writing students. He is writing an opinion piece about a topic in which he has no particular expertise. If he had produced a quick reference list of online acronymns and their meaning, it probably would have been fine. But, his headline promises more - an analysis of the effect of extensive use of these chat shortcuts on English grammar as a whole. This promise requires at least some expert quotes.

Many academicians refuse to allow students to cite Wikipedia because it is user-produced content. But, many articles in Wikipedia are heavily annotated with extensive bibliographies. Associated Content makes Wikipedia look like the Encylopedia Britannica!

SnapVillage use hampered by Corbis corporate view of reproduction rights

After reading about SnapVillage, a new stock photography site sponsored by Microsoft and Corbis, I uploaded five of my images over a week ago, three of 16th century sculptural artwork displayed on public property in Florence, Italy including the sculpture of Hercules battling the Centaur Nessus created by Giovanni Bologna in 1599 (at left), one of a fresco adorning an exterior surface of the Villa Giulia in Rome constructed between 1551 and 1553 and now the National Museum of Etruscan Art owned by the Italian government, and one modern bronze sculpture of Benjamin Franklin purchased by the city of Santa Barbara for public display along a pedestrian walkway.

After a long wait for review, I received notice from SnapVillage that they were requiring property releases for all but one of the images. Their viewpoint is apparently that simple ownership of a piece of public domain art somehow grants the present owner of the work the right to "sell" or "grant" the right to create a derivative work (photograph). This is in direct opposition to the current copyright provisions that place such work in the public domain. I guess I shouldn't be surprised. Corbis (aka Microsoft) uses this approach as a rationale to charge publishers hefty sums to use their images of such art. However, if their purpose, as stated in a recent New York Times article, is to capitalize on the vast number of images currently being produced by so-called amateurs or semi-professionals because they fear their core business will be cannibalized by them, they need to abide by current copyright laws and not try to enforce policies developed by corporate marketing interests that do not have the weight of international law.

Copyright was originally instituted to encourage the creativity of artists and creators, not provide a capital asset for business interests who acquire the work. Trying to transfer the copyright from creator to owner is a travesty of the original intent of the law.

Key legal points:

Under the Berne convention, the minimum duration for copyright protection is the life of the author plus 50 years (Art. 7(1)).   Signatory nations may provide longer durations if they so choose.  

Three of my images were taken in Italy, a signator of the Berne convention, as is the United States.  Italy since joined
the European Union.  To commonize the application of copyright laws in its member nations
the EU enacted Directive 2006/116/EC of the European Parliament and of the Council of 12 December 2006 on the term of protection of
copyright and certain related rights (codified version)[1]

"In order to establish a high level of protection which at the same time meets the requirements of the internal market
and the need to establish a legal environment conducive to the harmonious development of literary and artistic creation in the
Community, the term of protection for copyright should be harmonised at 70 years after the death of the author or 70 years after the work is
lawfully made available to the public, and for related rights at 50 years after the event which sets the term running."

It further states:

In the case of anonymous or pseudonymous works, the term of protection shall run for 70 years after the work is
lawfully made available to the public. However, when the pseudonym adopted by the author leaves no doubt as to his identity, or if the
author discloses his identity during the period referred to in the first sentence, the term of protection applicable shall be that laid
down in paragraph 1.

The images I took of the 16th century sculptures are far beyond the maximum time period of copyright protection for such works. Although ownership to the sculptures does not convey any copyright, the owner of the works (the Ufizzi Gallery) has further chosen to display the works outdoors in a public plaza. Therefore, they do not control access to the works with any implied rights by grant of access.

For Corbis to insist upon a property release is ridiculous. If Corbis continues in this interpretation, they deserve to suffer the cannibalism that they fear.

Travel providers turn up the heat in the digital kitchen

"One of the perks of travel used to be enjoying amenities you did not have at home: watching HBO in your hotel room, for instance, or catching an in-flight movie before there was such a thing as VCRs.

But sometime during the digital revolution, consumers’ home entertainment technology began making the travel industry look as if it were stuck in an analog era, with most airlines showing bland films on tough-to-view overhead screens and hotels’ television lineups disappointing guests accustomed to TiVo...

While cash-short American airlines are generally not investing as much in entertainment technology, a few carriers are introducing in-flight systems, partly to keep up with their foreign competitors.

For instance, Delta is introducing a new seatback system, Delta on Demand, that features 24 channels of live television, up to 28 films, 12 video games, more than 1,600 songs and 45 hours of HBO programming, including episodes of popular television shows. The system is now on 100 aircraft, including economy class on some planes. The live TV and games are free throughout the aircraft, although there are charges for some programs in coach."

I had the opportunity to try out the Delta seatback system recently on my flight from Eugene, Oregon to New York City. When I changed planes in Salt Lake City, I was seated on one of these updated aircraft. In coach class, most of the content required a payment of from $1.99 to $3.99 for television programs to feature films. If you didn't own a compatible headset, the stewardesses had them available for sale for $2.00. I noticed they collapsed nicely into a small profile for storing in your purse or briefcase. Actually, one of the most popular options was a free trivia game in which you played against other passengers on the aircraft. The system could handle something like 10 simultaneous players. As passengers tired of it and signed off new passengers would login. The man sitting next to me liked it so much he played for the entire flight. I needed a break after a while and signed off and dozed to rest my eyes. The proximity of the screen seems to cause a bit of eye fatigue. At least it keeps you distracted between snacks and beverage services although a video i-Pod does a pretty good job too!

OpenDNS offers faster, more accurate searches

This service sounds like a promising way to reduce phishing if nothing else:

"David Ulevitch is trying to turn two numbers into a multimillion-dollar business.

Mr. Ulevitch’s offer is quite simple. People who sign up for his service at OpenDNS.com are promised an easier way to locate Web pages and more protection from people who try to steal personal information from Web users.

It can also block Web sites that offer pornography or other undesired material.

He does this by using the Domain Name System, or DNS, which is the phonebook for the Internet. Every Web site is assigned unique machine-readable numbers which are used to direct Internet traffic. Mr. Ulevitch inserts his service between a user’s computer and the broader Internet. When an Internet-connected computer or router is configured by adding OpenDNS.com’s two numbers — 208.67.222.222 and 208.67.220.220 — OpenDNS makes it possible to access Web sites faster.

His service will also correct standard spelling mistakes. For example, if a user types google.cm instead of google.com, OpenDNS will redirect the query to the correct Web page. OpenDNS also makes it possible for users to use the Web address query box of a Web browser in the same way users now use the search engine query box found in all modern Web browsers. Typing a search request into the regular Web address box on a computer that uses the OpenDNS service will return search results and related advertisements from Yahoo."

Online architects offer customization to stock plans

Another example of taking a basic idea and giving it an internet twist:

"IN mid-May, Don DeFeo was overseeing the finishing touches on his Shoreham, Vt. summer home, a three-bedroom modernist design with cedar tongue-and-groove siding and a wall of windows to capture the view of 33 acres of rolling hills. In an area where most residences tended to be either “100 years old or a new house that looks like a 100-year-old house,” Mr. DeFeo said his home stood out for its contemporary design. But it wasn’t one of a kind. Mr. DeFeo bought the plan from an architect who sells ready-made designs online...

The business isn’t new; books and magazines have long featured home designs for purchase. What has changed is the accessibility of such plans on the Internet and the growth of stock plans, which some architects have turned to as a side activity to their custom designs.

The second-home market is helping to fuel the trend. While design firms don’t have hard numbers on the number of online plans bought for second homes, architects who sell their designs on the Web say that the second-home shopper is a sought-after customer.

The way architects present their online plans says it all. Donald A Gardner Architects, based in Greenville, S.C., divides up its plans into categories like country homes, vacation homes, resort homes and beach homes. Houseplans.com, based in Novato, Calif., classifies its home designs as beach, coastal and cottage styles, among others.

THREE of the most popular plan categories at Architectural House Plans, based in Sausalito, Calif., are cabins, small houses and country homes. And Ross Chapin Architects sells ready-made plans through its GoodFit division that are suited to a second-home client looking for a small, easy-to-maintain residence. “They naturally capture the essence of cozy retreats,” said Debbie Loudon, the public relations director for the company.

While so-called online architects vary in the size and variety of their designs, as well as how much service they provide for modifications, they do have one thing in common: their plans cost just a fraction of what one would pay an architect for a custom design.

And for some buyers, the savings is motivation enough."

Virtual Campus Obliterated After Residents Violate SecondLife's Big Six

"Woodbury University has been obliterated. The real-world campus of 1,500 students still stands, in Burbank, Calif. But in the freewheeling virtual world Second Life, Woodbury has been deleted.

Linden Lab, the company that runs Second Life, simply blanked Woodbury out of existence sometime during the last week of June.

The company took the drastic step, officials said, after administrators for the university's area ignored warnings to stop avatars -- digital characters -- affiliated with its region from engaging in disruptive and hostile behavior...

Woodbury is not the only college that has run into real-world problems after allowing visitors free access to a virtual site.

Troublemakers like to cause scenes at places where people are gathered, often displaying nude images or offensive language. Or they may stalk other users online.

The bad practices, referred to as "griefing," pose a challenge for any organization that creates a place in Second Life. How can officials stop such activities without having to constantly police their island?

In one disturbing incident, a user entered a virtual building on Ohio University's island with a virtual gun and began shooting other visitors.

Ohio University shut down its island until officials were able to get rid of the virtual gunman, says Muriel Ballou, director of Ohio University Without Boundaries, the institution's Second Life presence.

The university routinely works with Linden Lab, which runs Second Life, to root out such troublemakers, she says. Incidents like the virtual shooting helped spur Ohio to be on guard for any further offensive content.

At the same time, says Ms. Ballou, the university wants to keep the island open to all visitors to come and go as they please. Finding the right policies to achieve that balance is something that many users of Second Life will have to work through, she says. "You do have to think about it, because this is an open environment."

As a newbie in Second Life I was wondering about the notecard I read about "combat zones". Can avatars really get killed in SecondLife? Does it mean you can't use that username anymore if you do? Does this article mean that organizations with a presence in SecondLife are going to have to assign real world administrators to their islands to keep out the rifffraff? Do university legal counsels have to worry about avatar misconduct in SecondLife?

SecondLife like a holodeck in miniature

With all the flurry of activities lately focused on SecondLife I decided I’d better finally give in and give it a try. Now, I think I’m doomed!!! I blew away five hours yesterday morning without hardly realizing it!

I also discovered it’s a little scary psychologically speaking. I’ve been “invisible” so long that I am now uncertain what to do now that I have a young body again in SecondLife and men suddenly take an interest in talking to me. I hope I can keep conversations on a totally intellectual level. I don’t want to give anyone the wrong impression. This environment could have real implications for psychologists wishing to study human interaction because you can edit your avatar anytime you wish or totally transform into a completely different ethnicity, gender, etc. with the click of the mouse. And, as I have already observed in my brief time there, other people’s reactions change accordingly. Throw in the tendency for some people to ignore social graces in the online environment and you have a potentially volatile combination.

There are six rules that apply to SecondLife meant to minimize social havoc but there are always those people who are looking for ways around the rules. I was in Help Island and a man walked in without anything on but body tattoos even though the rules clearly state nudity is prohibited in areas not marked as mature. He was probably an experienced resident who created a new account with a custom avatar and was prancing around just to see how long he could get away with it.

However, SecondLife is exciting – like a holodeck in miniature. There are interesting places to go and beautiful environments to enjoy. There is a list of educational sites and I saw that the Weather Service has built a simulation where you can experience what it is like to fly a plane through a hurricane. Now if I can just get my nerve up enough to teleport to the mainland!

Louis Pasteur would be bug-eyed over the Eyeclops!

Now here's something to help you pass the time! I laughed when I read the part about "you don't even want to look at the hair on your arm!"

"Now you can transform your TV screen into a microscope viewfinder with EyeClops, a scientific toy from Jakks Pacific, which is known for plug-and-play TV toys that cut the PC out of the equation.
Skip to next paragraph

Looking like a baseball-size eyeball with a pistol grip, this $50 microscope plugs into the video port on a TV and is powered by five AA batteries. It will be available early next month at www.jakkspacific.com and major retailers.

When you aim the center of the eye at a target, like a scrap of fabric, your TV screen fills up with a view guaranteed to draw young gawkers. Salt crystals look like something from a glacier, fabric like spaghetti. You don’t even want to look at the hair on your arm.

The subjects are illuminated by three L.E.D.s, and the single 200x magnification setting is ideal for discovering the individual pixels on a cellphone screen, or the dots of ink on a dollar bill. Accessories include a holder for examining live bugs. Toys like this can help you persuade your spouse of the educational merits of that new big-screen TV."- Warren Buckleitner

Ringtones to give way to Avatars as Cell Carrier Search For Next Big Thing

It looks like I created my SecondLife avatar just in time. Hear what David Pogue, who recently attended a celluar services conference in Lake Como, Italy has to say about the future of cell (and it's not all iPhone either!):

"On the exhibit floor, companies were demonstrating very, very cool next-generation services for the onrushing era of unified communications. FastWeb, a company that started only in 2000 and is now a $365 million quad-play company in Italy, lets its customers watch any TV show that's aired in the past three days, on any channel, whenever they like. It's like retroactive TiVo.

Other demos included upcoming services that let you text messages to and from characters inside Second Life, the virtual-reality game; a software module that brings your phone's incoming text messages onto your computer screen, so you don't miss them and can reply with your keyboard; and various systems that unify your communications (voice, text messages and chat, for example), giving you a single address book and mailbox for all of them.

You know how young people are spending $10 billion a year on ringtones, just because it lets them express themselves? The next big thing, I'm convinced, will be avatars. This feature, too, was on display: You design your own little character, or avatar, choosing a hairstyle, clothes, facial features and so on. Then, whenever you call people, your character appears on their cellphone screens. I'll bet avatars will be the next huge teen fad in 2010 or so.

But don't look for any of these goodies here in the United States.

I get the distinct impression that American cellphone carriers are calcified, conservative and way behind their European and Asian counterparts."

Personally, I think its more than just cellphone carriers that are calcified here!